COOPERATIVE CULTURE Rabobank's internationally renowned art collection reflects its cooperative values. 'Supporting people's visions and building deep relationships by focusing on both the short and long term is the quintessential Rabobank approach in all it does, including collecting art,' says Marieke van Schijndel, Rabobank Nederland's Art Affairs Director. 'The bank not only purchases individual art works front contemporary Dutch artists, it also commits to supporting them during their creative lifetime. This gives artists a level of security which facilitates inspiration and creativity. It also gives Rabobank a fabulous and valuable collection of art works by increasingly interna tionally recognized artists. For the artists, Rabobank is a highly desirable patron. 'The fact we commit to our artists throughout their career is a unique aspect of our collection policy,' Van Schijndel explains. 'This means we buy key pieces throughout the artists' life span, commissioning new work from them, visiting their studios and exhibitions, both in the Netherlands and abroad. It also means evolving our collection policy over time in response to the artists' development and exploration of new media. By facili- tating an exchange of ideas on issues such as emerging tech- niques and new movements, you spotlight the need for collec tors, including Rabobank, to adjust their policies. For instance, there has been an upsurge in art photography and video production. We recently worked with Sotheby's, the leading auction house, on a symposium to discuss collectors' guidelines to these comparatively new media.' The result of such proactivity is that the Rabobank collection is growing in international stature. Many of the artists are becoming more international as they successfully undertake commissions and exhibit outside the Netherlands. For exam- ple, Inez van Lamsweerde's photographs regularly appear in Vogue magazine, and Joep van Lieshout has received wide international acclaim at the prestigious Venice Biennale, one of the art world's biggest events. Obviously, the growing value of the collection is an added advantage. However, the collection is more than a financial investment. 'If we'd wanted to simply make an investment in art it would be better to collect 17th Century Masters or the Impressionists, rather than contempo rary Dutch artists,' concludes Van Schijndel. 'The purpose of our collection is to encourage people to be more conscious of the world around them and, through art, offer them a place for reflection.' It is this aim of making the collection more accessible that prompted the launch of the 'Kunstaanbieding'. Most of Rabobank's collection is housed in lltrecht and Eindhoven, so it is not easily seen by international Rabobankers around the network. Through the 'Kunstaanbieding' (literally: Art offer), which is open from September to October 2002, you have the opportunity to purchase speeially commissioned art works. If you are interested in finding out more about how you can participate in the 'Kunstaanbieding 2002', or you simply want to see more of the collection, email the art department at fm.rn.kunstzaken@rn.rabobank.nl or look it up on meeting point. Marieke van Schijndel - evolving collection policies I Rl The Word I

Rabobank Bronnenarchief

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